Volume 35, Number 2
Special Issue: rites of Passage

“The epic celebrates the victory of the human spirit over the forces inimical to self-extension. It concretises in the form of action the arduous birth of the individual or communal entity, creates a new being through utilising and stressing the language of self-glorification to which human nature is healthily prone.” (Wole Soyinka, Myth, Literature and the African World)

Dear Bookbird Reader,
Paul Morin’s illustration on the cover of this issue, taken from James Whetung’s The Vision Seeker, represents a young Anishinaabe Indian’s Vision Quest and determination to help his nation. The hero’s physical and spiritual journey is a transforming experience. Just as he gains personally by receiving the wisdom of the seven grandfathers, the community is also strengthened by the gift of the Sweat Lodge teaching that he brings back to his people. Whetung wants this story to serve as a bridge to the past for contemporary Native American youth, providing them with a cultural, historical, religious, and philosophical identity. According to Hyemeyohsts Storm, the Vision Quest is a rite of passage “to discover ourselves, to learn how we perceive of ourselves, and to find our relationship with the world around us.”1 The Vision Quest takes an adolescent away from the security of home to face challenges, to search for self, to develop confidence, to find meaning in life.

In traditional societies, important transitions in life were marked with symbolic rituals and ceremonies, giving the initiates moral instruction and rules of social conduct. The recitation of heroic songs and legends not only provided entertainment and forged national and cultural unity but, as Carl Jung stated, facilitated the process of individuation as well. Since the separation between religious, social, familial, and personal obligations was not as marked as it is today, initiations—such as the Vision Quest and Masai manhood ceremonies—were communal rituals. The young boy or girl underwent a period of intense training by separating from the secure world of childhood, receiving instruction with others of the same age-group, and returning to the community as adults.

Today, few children go through formal rituals implying such all-encompassing, momentous changes. Nevertheless, there are many rites of passage that involve personal growth and learning about the values of one’s community. For the young child, it could be the first day at school, spending a night away from home, or learning to cope with nightmares. While we would like to believe that childhood is a sunny and secure place, the child has to learn to cope with anxiety, fears, loneliness, and even death. The transformations of adolescence—also physical, social, psychological, and emotional, like those of childhood—sometimes involve facing harsh realities in the passage toward identity formation and self-discovery. The first job, falling in love, getting a driver’s license, the senior prom, and graduation ceremonies are significant events that symbolize a step toward maturation, responsibility, adulthood. This movement from innocence to experience, from security to uncertainty, from sunshine and summer to stormy clashes and conflict, is a necessary experience on the journey to personal autonomy. In modern times, this passage is prolonged over years; it is an individual, internal journey instead of a communal ritual.

Likewise, the stories that help mediate this passage are not oral and shared but are read privately. Do books fulfill the same functions as folklore and storytelling? Stories, whether written or oral, serve as mirrors that reflect different feelings, ideas, people, experiences (Storm 5) and help children and young adults to vicariously negotiate various transformative experiences.

The articles in this issue examine the rites of passage from a variety of angles. Sandra Beckett discusses the physical maturation of the character Amandine; Marcia de Almeida and Laura Zaidman, the turning points of childhood and the painful experiences of adolescence; Maria Nikolajeva, the movement from the childhood idyll to chaos and ritual trials; María Cecilia Silva-Díaz and Eugenia Collier, the importance of folklore and history in helping children embrace their cultural roots; and Yoshida Junko, the mother-daughter relationship in the context of gender-related difficulties and teenage rebellion. Are tales of the mythic hero a male rite of passage? What about women’s journeys? Is a girl’s rite of passage limited to physical maturity, adapting to society, and assuming a nurturing role? Hopefully, the essays in this issue will provide unique answers to these questions.

Yours sincerely,
Meena G. Khorana

1. Hyemeyohsts Storm, Seven Arrows (New York: Ballantyne, 1972), 5.

Letters

To the Point: Rites of passage

Mother-Daughter Stories in Japan
Yoshida Junko (Hiroshima)

Amandine through the Looking Glass: Michel Tournier’s “Initiatory Tale” for Children
Sandra L. Beckett (St. Catharines)

On the Edge of Childhood
Maria Nikolajeva (Stockholm)

Rites of Initiation in Recent Latin American Narratives
María Cecilia Silva-Díaz (Caracas)

Other Voices
Passage to Pain and Pride • Journeys of Discovery in Lowry’s Novels • Opening Doors to Maturity: Rites of Passage in Brazilian Children’s Literature

Regular Features

Focus IBBY
Reading Promotion: Books for Salaam, Shalom, Peace
Laura M. Zaidman (Sumter)

Country Survey: Namibia
Andree-Jeanne Tötemeyer (Windhoek)

Author Spotlight: “The Act of Shedding Light”: Barry Moser Talks about
Illustrating Books

Jill P. May (West Lafayette)

International Children’s Books of Note

Professional Literature

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