Volume
17, No. 4, July 2005
Articles
Social Rank, "The Rise
of the Novel," and Whig Histories of Eighteenth-Century
Fiction
Nicholas Hudson
Forging a Romantic Identity:
Herbert Croft's Love and Madness and W.H.
Ireland's Shakespeare MS
Robert Miles
Staged Insensibility in
Burney's Cecilia, Camilla, and The Wanderer:
How a
Playwright Writes Novels
Emily Hodgson Anderson
"The Middle State":
Italian Opera in Frances Burney's Cecilia Leya Landau
"Your Complexion
Is So Improved!": A Diagnosis of Fanny Price's "Dis-ease"
Akiko Takei
Review
Essay
Gothic Anxieties: Struggling
with a Definition
Suzanne Rintoul
REVIEWED: Jerry Hogle, The
Cambridge Companion to Gothic Fiction; Diane Long Hoeveler
and Tamar Heller, Approaches to Teaching Gothic Fiction: The
British and American Traditions; Frederick S. Frank, ed.,
Horace Walpole, "The Castle of Otranto" and "The
Mysterious Mother"; Toni Wein, British Identities,
Heroic Nationalisms and the Gothic Novel, 1764-1824.
Reviews/Comptes
Rendus
The Eighteenth-Century
Novel, vols. 1, 2, and 3
Yota Batsaki
Des liseuses en péril:
Les Images de lectrices dans les textes
de fiction de "La Prétieuse" de l’abbé
de Pure à Madame Bovary de Flaubert
(1656–1856)."
Sandrine Aragon
Emmanuelle Sauvage, John
C. O'Neal and Ourida Mostefai, eds., Approaches to Teaching Rousseau's
"Confessions" and "Reveries of the Solitary Walker"
Nancy Senior
