Volume
6, No. 1, October
1993
ARTICLES
Defoe's
"Almost Invisible Hand": Narrative Logic as a
Structuring Principle in Moll Flanders
Carl R. Lovitt
The
Place of Sally Godfrey in Richardson's Pamela
Albert J. Rivero
Diderot,
Socrate, et l'Esthétique de la farce dans Le Neveu de Rameau
Jane Rush
Britannia's
Rule and the It-Narrator
Aileen Douglas
REVIEWS
Nadine Bérenguier
on Thomas DiPiero, Dangerous Truths and Criminal Passions: The Evolution
of the French Novel 1569--1791
Brian Mccrea
on Elizabeth Kraft, Character and Consciousness in Eighteenth-Century
Comic Fiction
Jean Wilson
on Todd Kontje, Private Lives in the Public Sphere: The German "Bildungsroman"
as Metafiction
Franco Piva
on Frédéric Deloffre, Robert Challe: Un Destin, une
œuvre
Gwin Kolb on
Eithne Henson, "The Fictions of Romantick Chivalry": Samuel
Johnson and Romance
John A. Fleming
on Shelly Charles, Récit et réflexion: poétique
de l'hétérogène dans "Le Pour et contre"
de Prévost
Syndy Mcmillen
CONGER on Gary Kelly, Revolutionary Feminism: The Mind and Career
of Mary Wollstonecraft
Susan C. Greenfield
on Roger Gard, Jane Austen's Novels: The Art of Clarity
Claudia L.
Johnson on Gene W. Ruoff, Jane Austen's "Sense and Sensibility"
Vivien Jones
on Deborah Kaplan, Jane Austen among Women
Nancy Senior
on Isabelle Brouard-Arends, Vies et images maternelles dans la littérature
française du dix-huitième siècle
Alexander Pettit
on Compendious Conversations , ed. Kevin L. Cope
Catherine Gallouët-Schutter
on William F. Edmiston, Hindsight and Insight: Focalization in Four
Eighteenth-Century French Novels
Bruce Beiderwell
on Alexander Welsh, The Hero of the Waverley Novels: With New Essays
on Scott
