Volume
38, No. 1 ( 2004 Hiver / Winter)
Extraordinary
Presence: The Worlds of P.K. Page
Une présence extraordinaire : les univers de P.K. Page
Introduction
Zailig Pollock
P.K. Page:
A Portrait of the Artist as a Young Woman
Sandra Djwa
The Two
Giovannis: P.K. Page's Two Modernisms
Dean Irvine
P.K. Page
and Surrealism
Brian Trehearne
Kinds of
Osmosis
Barbara Godard
"Their
small-toothed interlock": Biomorphism and Mystical Quest in the
Visual Art of P.K. Page and John Vanderpant
Cynthia Messenger
"Out
of the Painted Grove, My Buck": The Escape from Irony in Avison
and Page
Gordon Johnston
Looking
at "The Gold Sun"; or, The Glosa's Glasses
Robert David Stacey
Catching
Fire: The Allegories of Alchemical Transformation in the Art of P.K.
Page
Farouk Mitha
Establishing
a Context for P.K. Page's Interest in Eastern Religions: When Papier-Mâché
Angels Descend among the Metals and the Flowers
Vivian Vavassis
Anthologizing
P.K. Page: The Case of a Protean Poet
Marilyn J. Rose
Hidden Out
in the Open: Editing and Reading P.K. Page's The Hidden Room
Stan Dragland
"A
Paper Cage"
Gabe Foreman
"Ah,
by the Golden Lilies"
"The Blue Guitar"
"Green, How Much I Want You Green"
P.K. Page
Annotated
Bibliography
Erin Whitmore
