Volume
67, Number 4, Fall 1998
Voices of Opera
Guest editors: Caryl Clark and Allan Hepburn
Proceedings
of the symposium Voices of Opera: Performance, Production, Interpretation
held at the University of Toronto at Scarborough, January 22-23, 1998.
Articles
True
Confessions: Opera, Literature, History
SGML version
Caryl Clark and Allan Hepburn
Voices
of Opera: Performance, Production, Interpretation
SGML version
Mike Doherty and Erika Reiman
The
Sea and the Stars and the Wastes of the Desert
SGML version
Roger Parker
The
Love-Death Opera: Interdisciplinary Approaches to Richard Wagner's
SGML version
Tristan und Isolde
Richard
Wagner's Adaptation of Gottfried von Straßburg's Tristan
SGML version
Helmut Reichenbächer
The
'Tristan Chord' as Music-Historical Metaphor
Erika Reiman
Night
and Light in Wagner's Tristan und Isolde and Novalis's Hymnen an die
Nacht: Inversion and Transfiguration
SGML version
Jill Scott
Redemption
Revalued in Tristan und Isolde: Schopenhauer, Wagner, Nietzsche
SGML version
R.J.A. Kilbourn
'Alles
was ist, endet': Living with the Knowledge of Death in Richard Wagner's
Der Ring des Nibelungen
SGML version
Linda Hutcheon and Michael Hutcheon
Hans
Pfitzner's Palestrina and the Impotence of Early Lateness
SGML version
Stephen McClatchie
A
Fan's Apostasy
SGML version
Wayne Koestenbaums
